We are all left to our own devices now - how nice it is to make a meaningful, if brief, connection across the social distance. Where “Toosie Slide” plays like a royal benediction - the world’s most savvy and influential pop musician spinning an entire digital platform on his fingertip - “Bored in the House” feels like from-the-ground-up playtime. From an early age his head got completely turned by the. It is primo comedy rap, the stuff of morning-zoo radio, and an elegant example of spinning gold from hay. From the city of Rotterdam, Sami Dmitrovic is as deeply rooted in music asanyone. Tyga: “Tell the bitch chill like refrigerator doors/We can heat up some ramen, can’t go to the store” Roach: “Locked down, I’ma stay stayin’ in-in/Ramen noodles every night for my din-din/Hulu, binge watchin’ episodes of ‘Ben 10,’” and so on. (Tyga has a big house, too, though perhaps not quite so Brobdingnagian as Drake’s.) He’d added a beat to Roach’s words - bubbly and light, like the jerk music that dominated Los Angeles hip-hop in the late 2000s - and in the caption, announced that he’d made a song with Roach.įor the song “Bored in the House,” both recorded humorous verses. Before long, he posted a second clip, more ornate than the first - jumping from couch to couch, dancing on his pool table, washing his hands, walking like a cat on the mantle in front of his television. Soon after, Tyga posted a clip of himself dancing in his kitchen and spinning on his hoverboard to Roach’s audio (as have around 400,000 others). In the case of Jack Harlow’s “Whats Poppin,” the clips don’t feature a dance, but umpteen thousands of handsome young people shamelessly flirting with their phone cameras. ![]() Camp - or at least the beginning of “Lottery,” a song that K. ![]() Look at recent popular dances, like the one-pose-per-mood routine to Megan Thee Stallion’s “Savage” (“I’m a savage/Classy, bougie, ratchet/Sassy, moody, nasty”), or the soundtrack to the Renegade craze: “Lottery,” by K. This has been happening organically on TikTok since the app’s beginning: TikTokers mine music (new and old alike) for snippets they can reinvent as short dances or comic films. Players delight as they discover they can make animals poop, re-color the train and ferris wheel, eat food in the cafe, or buy clothes and stuffed animals. Enjoy a Rich World Alpha Zoo has lots of surprises. Children interact through the keyboard, and learn to spell and type words while playing. and 1 lowercase alpha character, 1 number and 1 special character. Alpha Zoo has 100 words to learn through typing. Increasingly, the way to cut through the clutter is to do less, and leave behind a thirst - and an opportunity - for more. such as the San Diego Zoo, SeaWorld, Balboa Park, and the USS Midway Museum. The platform’s power goes hand in hand with the rise of snippet culture, in which sections of songs played by rappers - Playboi Carti and Lil Uzi Vert, among others - on social media become cult favorites, and sometimes more popular than actual hits. TikTok videos end up like the equivalent of a movie trailer released before the film’s completion. Attention spans are shrinking, and the most effective modes of distribution favor the brief and interactive. It is marketing stratagem first, song second. “Toosie Slide” sets a low bar for participation - it’s a dance song that even those who can’t really dance can dance to.
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